Threads Through Sheffield

Tinsley Cooling Towers

February 16, 2008 · No Comments

“For every action there is an equal and opposite reaction”

(Amended Newton’s third law)

The Tinsley Cooling Towers are still standing but it would seem for not much longer, Eon are determined that they will not make it to see the summer of 2008.

E.ON UK Press Releases

01 February 2008 16:00
Preparations ongoing for demolition of the Tinsley cooling towers

Plans to bring down the Tinsley Towers are ongoing, with discussions continuing between E.ON UK, the Highways Agency, and other interested parties in preparation for an expected spring/summer demolition.Mark Maisey, E.ON UK Property Manager, said: “We’ve been working with a number of technical specialists on getting the final approvals finalised for demolition and now we’re looking to pin down a date that best suits everybody.

“It’s a big project and we want to ensure minimum disruption, which is why it’s taking some time but, naturally, we will share the demolition date with everyone as soon as we have it confirmed.”

Categories: Architecture · Sheffield

one field many tents - fairground

February 16, 2008 · No Comments

Annoyingly I can’t find the full reference for the book, but I think the title was called Fairground Architecture and this was found on page 25.

What I like is the Liqurice Allsort appearance of the plan, and the way it also illustrates the paradigm “one field many tents”; albeit quite literally in this case.

Click on the picture to see it whole, plus the amazing legend that accompanies it.

fairground_plan.jpg

Categories: Architecture · Circus · Drawing

circus imitating life imitating circus

February 16, 2008 · No Comments

A redrawn diagram from Richard Schechner’s book Performance Theory:

infinity.jpg

A version of this diagram also pops up in an article written in 1986 by no other than Sheffield’s own Peter Blundell Jones. The article is called ‘Beyond the Black Box’ in AR (July 1986)  and is worth a read. PBJ writes about the Half Moon Theatre in London designed by the Architecture Bureau (which included Florian Beigel, now of the London Met’s Architecture Research Unit)

It touches on the reciprocal relationship between theatre and life, and how theatre and pubic performance was once a means through which social relations and competing realities were negotiated. Although not necessarily directly written about circus, there are many overlapping fields of interest and relationships.

Categories: Architecture · Circus · Film